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by Jen Soska (Author), Crizam Zamora (Artist), Marco Lesko (Colorist)
Where advanced robotics meets an ancient curse. The Cursed Pt. 1 opens Lilian Ronashi's descent into a supernatural mystery--from Jen Soska, created by Eric July.
After the murder of her husband, renowned robotics engineer Ryuu Ishii, Lilian is pulled into a mystery that blurs the line between advanced technology and ancient curses. As she searches for the truth, she uncovers dark forces tied to her own life--and a fate that has been closing around her since before she understood it. The first part of Lilian Ronashi's origin establishes the Rippaverse's supernatural-noir lane: a grounded, character-first horror story with a curse at its center and a woman who refuses to be its victim. The first chapter of The Cursed, created by Eric July and written by Jen Soska, with art by Crizam Zamora--setting up the conclusion in The Cursed Pt. 2 and the character's place across the line's horror corner. For collectors, the first appearance of a recurring Rippaverse villain in her own series. For readers of the line's horror corner, Pt. 1 is the ground floor of Lilian Ronashi's story--the setup that pays off across Pt. 2 and her later crossover appearances. Created by Eric July and written by Jen Soska--Canadian filmmaker and comic creator known for fearless horror storytelling. Art by Crizam Zamora.Jen Soska is a Canadian filmmaker, writer, and comic book creator known for fearless storytelling across horror, suspense, and dark fantasy. Her feature film credits with sister Sylvia Soska include American Mary--recognized by The Hollywood Reporter as one of the top 50 Canadian films ever made--and Rabid. She has written multiple titles for Marvel Comics, including a five-issue Black Widow run, and hosts the Blumhouse-produced survival horror game show Hellevator on GSN. At Rippaverse Publishing she writes Yaira (the Rippaverse's flagship heroine), The Cursed, RonCop, Catch & Kill, Stephanya, Claw and Covenant, The Detention Crew, and The Hellbound Stagecoach.
